Didier Ruef was born in 1961 in Geneva, Switzerland. After graduating in Economics at the University of Geneva he took up photojournalism at the International Center of Photography (ICP) in New York. It was there that he developed his long-term essay on the life of a Puerto Rican family in Spanish Harlem, for which he won the Yann Geoffroy Prize in Milan, Italy, in 1990. Since returning to Switzerland in 1987, he has started to work as a freelance documentary photographer and photojournalist working in color and black & white and has visited all five continents, with a preference for Africa. He was a member of the Network Photographers Agency in London from 1991 to 1997 and a founding member of Pixsil from 2002 to 2009. He is now working as a freelancer photographer .

He is currently represented by the photo agencies Cosmos, Luz Photo and Fotogloria.

He has worked with Médecins Sans Frontières, the Global Fund, the World Council of Churches, Heks (Interchurch Aid), the Swiss Red Cross and the Syngenta Foundation.

Ruef’s photographs have been published in major international magazines and newspapers, such as Time, The Observer Magazine, The Independent Magazine, Daily Telegraph,         The Economist, Le Monde, Libération, L’Express, Le Nouvel Observateur, L’Illustré,         L’Hebdo, El Pais Semanal, Geo (South Korea), Rhythms Monthly (Taiwan), Discovery (Honk Kong), Ogonyok, Marie Claire (Italy), D La Republica, Der Spiegel, Die Zeit,         Das Magazin, Neue Zürcher Zeitung.

He had solo exhibitions in Switzerland at the Musée de l’Elysée, Lausanne ; Galerie Focale, Nyon ; Völkerkundemuseum Zürich; Coalmine Gallery, Winterthur; Museo d’arte, Mendrisio. And abroad at the Museo da Imagem e do Som (MIS) in São Paulo, Brazil; the Jordan National Gallery of Fine Arts, Amman; Centro Culturale Svizzero in Milan, Italy; Bibliothèque Municipale de Bordeaux, France; The Substation, Singapore; Leica Gallery Zingst, Germany.

Among others, he had collective exhibitions in China, 10th Shanghai International Photographic Art Exhibition; in Tirana, Albania for Objective: People’s World ; in Culturgest Lisboa, Portugal for O seculo do corpo. Trabalhos fotograficos 1990-1999; in Fotomuseum Winterthur in Switzerland for Weltenblicke. Reportagefotografie und ihre Medien.

Didier Ruef has published five books: in 1998 Paysans de nos montagnes | Editions Monographic and in German translations as Bauern am Berg | Offizin Verlag and in Italian as Vita di montagna | Edizioni Casagrande; in 2005 Afrique Noire | Infolio Editions; in 2007 Enfants Prisonniers | DiDé; in 2011 Recycle | Labor et Fides in french and english and Recycle | Edizioni Casagrande in italian and german; in 2012 Bestiarium | QTI in italian.

Review about GR

I always have the Ricoh GR camera with me and I carry it in my jacket’s pocket. The camera is small, light and does not take much space. I know that if I see something interesting, I will be immediately ready to snap pictures. The camera has a fixed 28 mm lens and I choose the right distance by moving my body and getting closer to my subjet. I can easily access the different programs and in a matter of seconds I shoot the pictures I am interested in. The Ricoh GR is well designed and I am very happy with the high resolution files that I get from such a tiny photographic tool. I can be close and intimate with people while shooting pictures. The Ricoh GR helps me to be discreet.  It is a fantastic non intrusive camera and lets you discover places and meet people you cannot even imagine.